{"id":4214,"date":"2021-06-01T14:05:13","date_gmt":"2021-06-01T12:05:13","guid":{"rendered":"https:\/\/argentinaculturalservices.nl\/versie2\/nog-een-bericht\/"},"modified":"2021-11-02T16:44:57","modified_gmt":"2021-11-02T15:44:57","slug":"el-arte-latinoamericano","status":"publish","type":"post","link":"https:\/\/argentinaculturalservices.nl\/es\/el-arte-latinoamericano\/","title":{"rendered":"El arte latinoamericano"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=\u00bb1\/2&#8243;][vc_column_text]Seguramente usted sepa qui\u00e9n fue Frida Khalo. Una artista mexicana con una infancia tr\u00e1gica y una vida matrimonial turbulenta con Diego Ribera, cuya historia \u00fanica fue tan magistralmente representada en sus cuadros. Es dif\u00edcil olvidar sus coloridos autorretratos llenos de emoci\u00f3n y dolor cuando uno los ha visto. Frida es sin duda un icono del siglo XX. Pero muchos otros artistas latinoamericanos menos conocidos han sido al menos tan influyentes y transcendentes en el mundo del arte como ella. Las principales colecciones de arte latinoamericano incluyen obras de Tarsila do Amaral, Antonio Berni, Fernando Botero, Lygia Clark, Carlos Cruz Diez, Joaqu\u00edn Torres Garc\u00eda, Carmen Herrera, Wifredo Lam, Roberto Matta, H\u00e9lio Oiticica, Lygia Pape, Julio Le Parc, Mira Schendel, Jes\u00fas Rafael Soto, David Siqueiros, Rufino Tamayo, Tunga, por s\u00f3lo nombrar algunos.[\/vc_column_text][vc_single_image image=\u00bb34925&#8243; img_size=\u00bblarge\u00bb add_caption=\u00bbyes\u00bb onclick=\u00bblink_image\u00bb][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/2&#8243;][vc_column_text]Pero en realidad \u00bfqu\u00e9 es el arte latinoamericano? Dado que es tan diverso, existe un debate permanente sobre qu\u00e9 es verdaderamente el arte latinoamericano y si tiene sentido mantenerlo como una categor\u00eda separada. Durante las d\u00e9cadas de 1930 a 1950, los artistas latinoamericanos viajaron a Europa, Norteam\u00e9rica y, en algunos casos, a pa\u00edses africanos. Muchos de ellos participaron activamente en movimientos de vanguardia relacionados con el modernismo, el surrealismo y el futurismo, con estrechas conexiones con el norte global. Sin embargo, otros elaboraron relaciones entre el modernismo y las tradiciones ind\u00edgenas y africanas, concibiendo una forma diferente de arte. Entre las d\u00e9cadas de 1950 y 1970 florecieron nuevas formas de arte: el arte concreto, la abstracci\u00f3n geom\u00e9trica y el arte cin\u00e9tico, as\u00ed como la vuelta a la figuraci\u00f3n. El concretismo y las ilusiones \u00f3pticas cambiaron la conciencia y la percepci\u00f3n del arte por parte del espectador.<\/p>\n<p>Entre las colecciones latinoamericanas m\u00e1s influyentes se encuentra la de la Fundaci\u00f3n Cisneros, donada recientemente en parte al MoMA de Nueva York. Patricia Phelps de Cisneros y su marido Gustavo empezaron a coleccionar arte en 1970 y dedicaron muchos esfuerzos al avance de la erudici\u00f3n y la apreciaci\u00f3n del arte latinoamericano &#8211; y en especial de la abstracci\u00f3n geom\u00e9trica &#8211; que a\u00fan no hab\u00eda conquistado el panorama art\u00edstico mundial. Tradicionalmente, el arte latinoamericano se hab\u00eda asociado a temas folcl\u00f3ricos y a los estereotipos que desde hace tiempo se ten\u00edan en el Norte sobre una cultura latinoamericana ex\u00f3tica. Por aquel entonces no hab\u00eda espacio para incluir movimientos de vanguardia sofisticados y cerebrales en la historia del arte mundial y, menos a\u00fan, en el mercado internacional del arte.<\/p>\n<p>Era necesario romper muchas barreras que separaban a Am\u00e9rica Latina del canon hist\u00f3rico del arte. Hoy en d\u00eda, en que los artistas latinoamericanos est\u00e1n batiendo r\u00e9cords en las subastas y las galer\u00edas internacionales est\u00e1n incorporando artistas de la regi\u00f3n a su oferta, el mundo del arte est\u00e1 lidiando con esta categorizaci\u00f3n. \u00bfAyuda la etiqueta latinoamericana a aumentar la exposici\u00f3n de este arte &#8211; que abarca una enorme geograf\u00eda &#8211; o limita sus posibilidades?<\/p>\n<p>Y aunque algunas de las principales casas de subastas est\u00e1n de acuerdo en que esta etiqueta ya no se aplica a los artistas verdaderamente cosmopolitas y han disuelto la categor\u00eda latinoamericana en sus ventas de arte moderno y contempor\u00e1neo, otras siguen debatiendo si todav\u00eda puede ser \u00fatil.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Sobre el auge del arte latinoamericano, el coleccionismo, los museos y los estereotipos. <\/p>\n","protected":false},"author":1,"featured_media":34925,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,45],"tags":[],"class_list":["post-4214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actueel-es","category-news-es","category-44","category-45","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - 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