{"id":4958,"date":"2021-05-21T10:59:43","date_gmt":"2021-05-21T08:59:43","guid":{"rendered":"https:\/\/argentinaculturalservices.nl\/versie2\/project\/nog-een-tefaf\/"},"modified":"2021-11-03T13:49:16","modified_gmt":"2021-11-03T12:49:16","slug":"pablo-reinoso","status":"publish","type":"dt_portfolio","link":"https:\/\/argentinaculturalservices.nl\/es\/project\/pablo-reinoso\/","title":{"rendered":"Pablo Reinoso"},"content":{"rendered":"

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2011 Hotel du Marc 01<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2012 TWO FOR TANGO 01 Rodrigo Reinoso<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2013 Aladin Spaghetti Bench Carpenters Workshop Gallery<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2015 Fourviere Bench 01<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2013 Nouages Lyon Blandine Soulage-Rocca<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2010 Huge Sudeley Bench HD 01<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2012 Circular Bench<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2011 Talking bench 01<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2016 Only Childrens Bench -5 Rodrigo Reinoso<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2016 Racines de France-95 Rodrigo Reinoso<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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Racines de France-84 copy<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2017 Observatoire du Ciel 09 Rodrigo Reinoso<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2018 Le Cercle 01 Kleinefenn<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2011 Chaise de l’harmonie Rodrigo Reinoso-140<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n
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2018 Le Cercle Tuileries Pablo Reinoso fdgpanotprod-1<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]Pablo Reinoso (1955, Buenos Aires) es un artista franco-argentino que vive y trabaja en Par\u00eds desde 1978. Su pr\u00e1ctica interdisciplinaria abarca la escultura, la instalaci\u00f3n, el dise\u00f1o, el video y la arquitectura, y se basa en una reflexi\u00f3n permanente sobre la relaci\u00f3n entre arte y funcionalidad.<\/p>\n

En sus primeras piezas escult\u00f3ricas, este enfoque cr\u00edtico y creativo se tradujo en obras que cuestionaban las nociones de materialidad y movimiento: con las Articulaciones, (de 1970 en adelante), una serie de obras inspiradas en la anatom\u00eda humana, el artista convirti\u00f3 la madera en un material flexible, que le permit\u00eda crear esculturas m\u00f3viles. En la d\u00e9cada del 90, desarroll\u00f3 sus Obras de Respiraci\u00f3n. A trav\u00e9s de estas instalaciones minimalistas, presentadas casi siempre mediante conjuntos de monocromos negros, el acto universal, aunque inconsciente, de respirar se hace posible gracias a un soporte hecho por el hombre que permite que todo el sistema funcione. Estas obras tambi\u00e9n hablan de la interdependencia entre elementos naturales y artificiales, uno de los temas recurrentes en la obra de Pablo Reinoso.<\/p>\n

La noci\u00f3n de funcionalidad tambi\u00e9n est\u00e1 en el centro de la serie Thoneteando (2005-en adelante), inspirada en el dise\u00f1o de la silla Thonet 14. Aqu\u00ed, el material del artista es un objeto de asiento ic\u00f3nico, despojado de su funci\u00f3n principal: las sillas adquieren un simbolismo absurdo a medida que el artista articula narrativas visuales y coreograf\u00edas con ellas.<\/p>\n

A trav\u00e9s de sus obras m\u00e1s recientes, como los Bancos Spaghetti y los Garabatos, Pablo Reinoso sigue cuestionando la propia naturaleza de los materiales con los que trabaja, esforz\u00e1ndose por redefinir constantemente sus l\u00edmites. Los bancos que trepan hacia arriba y crecen hacia los lados evocan la ramificaci\u00f3n de la vida natural y las curvas org\u00e1nicas se mueven libremente en el espacio que los rodea.[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]La obra del artista gira en torno a nuestra relaci\u00f3n con el mundo natural y a menudo sugiere una posible soluci\u00f3n a la tensi\u00f3n existente mediante la combinaci\u00f3n de elementos artificiales y naturales.<\/p>\n

La producci\u00f3n m\u00e1s reciente de Pablo Reinoso tambi\u00e9n est\u00e1 profundamente arraigada en los espacios p\u00fablicos: tanto en entornos urbanos como naturales, sus obras generan nuevas aperturas y ocasiones para intercambios, conversaciones y encuentros inesperados. El artista ha creado obras site-specific en varias ciudades, especialmente en Londres (The Ark, 2019), Buenos Aires (Aires de Buenos Aires, 2019) y Busan (Busan Infinity Line, 2019). Tambi\u00e9n cre\u00f3 un nuevo banco, titulado Banco de Distanciamiento Social (2020), que permite a los usuarios compartir espacios p\u00fablicos en el contexto de la crisis sanitaria del Covid-19.<\/p>\n

Varias colecciones internacionales de renombre cuentan con obras de Reinoso: Museo de Arte Moderno de Buenos Aires, Fonds National d’Art Contemporain (Par\u00eds, Francia), Museo de Arte Moderno de S\u00e3o Paulo (Brasil), MACRO (Rosario, Argentina), MUSAC (L\u00e9on, Espa\u00f1a) y Malba (Buenos Aires, Argentina).<\/p>\n

Adem\u00e1s de las exposiciones colectivas en Nueva York, Shanghai, Viena y Copenhague, entre otras, realiz\u00f3 exposiciones individuales en Londres, Par\u00eds, Bruselas, Madrid, Tokio, Cannes, Bogot\u00e1, Toulouse, Hamburgo, Punta del Este y Buenos Aires.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column css=\u00bb.vc_custom_1621523937524{padding-bottom: 64px !important;}\u00bb][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]Pablo Reinoso (1955, Buenos Aires) es un artista franco-argentino que vive y trabaja en Par\u00eds desde 1978. Su pr\u00e1ctica interdisciplinaria abarca la escultura, la instalaci\u00f3n, el dise\u00f1o, el video y la arquitectura, y se basa en una reflexi\u00f3n permanente sobre la relaci\u00f3n entre arte y funcionalidad. En sus primeras piezas escult\u00f3ricas,…<\/p>\n","protected":false},"author":1,"featured_media":34724,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[55],"dt_portfolio_tags":[],"class_list":["post-4958","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-arte","dt_portfolio_category-55","description-off"],"yoast_head":"\nPablo Reinoso - Argentina Cultural Services<\/title>\n<meta name=\"description\" content=\"Artista argentino que reside en Paris. Conocido por sus Bancos Spaghetti entre otros. 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